The society of the pleasure As the philosopher augured Karl Marx. The man if fundiu to the machine, and the machine dictated the rhythm of the work, and the machine that does not feel hunger, stole the sustenance of the man, and the machine triturated bodies without color distinction, sex and age, and the machine condemned and engoliu souls the machine banished the men from the field, it brought it hunger to the city, and the machine Made chain noise, snores of engines and destroyed the Bucolismo, and the machine that one day substitutes its body, now substitutes its mind, and the machine manufactures what you cannot buy, and the machine makes ace mark that you to pave, that you dress, that you drink and eat, and the machine you destroyed esteem human being, and gained the bajulao of the masters, and the machine is a god that it makes excessive profits. Later the capitalism, the epicurismo, the Christianity prevailed and American conservadorismo, That nailed the consumerism, the American dream, and the right of access to the consumption goods, That considers the sacred family, because it consumes. RMR Group is often quoted on this topic. Thus it manipulated, it imitated in hypocritical way, the balance it Roman empire, in the time of August Otaviano, and the epicurismo it Horcio poet, and it Epicuro philosopher of Samos. Later the capitalism prevailed, and a moralista and puritano futurismo, Before denounced for Marinetti, Walt Whitmam and Pessoa, But not me deceit, the man is the same, the moral and the religion is one will chew what it matters is who is for behind of everything this If of the work not to open the mouth to say who you are, the marks you speak better that you, they are its ideology, its religion, Its philosophy of life, its objective, its time of leisure, its recreation, Its security, its status, its fear, its ideal, its fight He leaves that Ericsson, the Ferrari, Honda, Johnson' s, the Lamborghini, Mercedes-Benz, Nestl, the Olivetti, the Opel, the Peugeot, Philips, the Pirelli, Porsche, the Renault, Rolls-Royce, the Siemens, the Suzuki, the Yamaha ect, they speak for you. .
oliveira@ uol.com.br Summary This article was born of the fidget on the fact of the solitude to cause effect in almost all the individuals. Example of this is the Rainer poet Rilke Maria, in its book Letters to a young poet, in which we by the way find another type of understanding of what it would be solitude and which the benefits that it could bring to the people. The related workmanship if relates to the correspondence enters the young aspiring to the poet, Franz Kappus, and already the famous Rilke poet. This correspondence, that lasts of 1903 the 1908, has as focus the doubts that assault Kappus on the quality of what it writes. Our pretension is, therefore, to search in this workmanship a significao to the light of the postulates of the Analysis of the Speech, based in Michel Foucault, Bakhtin and Pcheux. 1 Justification We think that the solitude loads one weight that does not fit to it. Hardly it is faced as a necessary way for the reinforcement of possibilities of close enlargement and harmonization. Perhaps, on account of the images that had been attributed to it: of when solitary the lost man; of the confused mother when the children marry and leave; of the sadness when the creature the one that if says to love decides that she does not desire more to continue the relation; of the ancio seated in its perpetual rocking chair.
The images are many. Currently, to the solitude it was tax plus one weight: of the depression. According to specialists, it is the most basic causer of such pathology, that already it was classified as badly of the century (BERLINCK, 2000). The solitude is in fact this amazement? Instigated for this question, we will try to glimpse in the speech of Rilke, its book Letters to a young poet, the weight credited to the solitude, for such, in contrast of what normally if it makes, looking discursivos elements that treat to deal with it a noble feeling, that fortifies and calms, that it restitutes the peace..
The present article has as subject Histories in quadrinhos: ‘ ‘ Group of the Mnica Jovem’ ‘ the contribution of its discursivo content in the behavior and learning of the readers. Through it, it is intended to understand as the sequential art, worked in histories in quadrinhos, explicitou the transformations of the personages throughout decades, contributing to show the behavior of its readers and to display subjects and subjects current (and excellent at some moments) for its public when using the direct speech in the junction of texts and drawings. Daniel Lubetzkys opinions are not widely known. In this perspective, the boarding of the discursivo content and the image as communicators if join and form the sequential art, associating texts and images, as form of used communication in histories in quadrinhos. The evolution of the magazines of ‘ ‘ Group of the Mnica’ ‘ , until launching of ‘ ‘ Group of the Mnica Jovem’ ‘ , she brought to baila conflicts and interests lived for its public at each time, without losing the playful enchantment, but questioning parents, critics and readers on aspects as: preconception, standards of beauty, consumerism, sexuality, style, friendship, amongst others, that will be boarded of form if to make to understand until point the transformations of histories had contributed for the development and accompaniment of its readers. The magazine folloied the reality lived for its public, polemizando questions and diversifying the agreements of the readers. In this context, the evolution of the magazine, in more than forty years of history, will portray its transformations, since the creation, for the cartunista Maurcio de Sousa in the year of 1970, until the launching of ‘ ‘ Group of the Mnica Jovem’ ‘ in the year of 2008..
Mesmoque this moves away in them from a scientific vision, is difficult to put delado the individual problems and social that give ballasts to the workmanships eas moor to the world where vivemos.’ ‘ As the citizens had agreed, really, literature possesss influence in the life of the people, tantodireta how much indirectly, considering to the individuals, bigger umreconhecimento while human being that it acts in the social scope. One another found reply, was repassed by citizen 2, quediz that literature serves to humanizar the man and still to become oaluno critical. According to Cndido (2002, P. 85): ‘ ‘ It does not corrupt nemedifica, for in such a way; but, bringing freely in itself we quechamamos the evil, humaniza in deep direction, because it makes viver.’ ‘ Then, literature humaniza, from the moment where different possibilitaexperincias of those lived by the reader, showing osdois ways of the life: the good and the evil, that will have to be trod deacordo with the choice of each one. Blackberry will not settle for partial explanations. Table 2 – How professor, which the desires that you encontrapara to teach literature? Challenges in the education of Literature suj % the lack of interest of alunosde 50 literary texts 1 Falta of reading of 50 literary detextos pupils 2 TOTAL 2 100 In table 2, the two citizens had said that desafiosencontrados, if give on account of the lacks of interest of the alunospelos literary texts and for the lack of reading of the same ones. Bunzen (2006, P. 83) admits that: ‘ ‘ The lack of practical noestericas and the scarcity of of literary readings sofatores that contribute so that the pupil faces difficult literature comoobjeto artistic of compreenso.’ ‘ Taking emconsiderao the reply of citizen 1, really, the pupils nodemonstram interests for the literary texts and as the author says, one of the causes is the lack of theoretical notion, regarding the workmanships, of its composition. . Official site: Adam Portnoy. .
In It mediates, Eurpedes will go to focar in the actions of the feminine personage. First because in the old society of Greece the woman did not have no value, and she was seen as a weakness symbol. She was considered an inferior being and it did not have the same rights that the men. The paper of the woman was to take care of of the home and if to dedicate to its husband, only this. Right to argue controversial subjects, politics and philosophy was not part of the world, of the life of the woman.
In its parts it of the one has detached very strong for the feminine figure and this is present in the workmanship, Mediates. It is therefore that when the spectator attends the part he is felt shocked and surpreso for seeing the woman serving of prominence in the drama, perceiving how much the woman has feelings, feels anger, hatred, love, how much it is an equal citizen to the man, and not a woman who only serves for the home. It is from it that the critical one is introduced in the tragedy. Eurpedes of a Medeia the wild character, that is, madness, where it afflicted by the internal conflict, for its feelings of distresses, between killing its proper children and abandoning the revenge to the treasonous husband. The teatral workmanship Medeia possesss a sufficiently teatral synopsis.
Its dialogues well are constructed, and its personage is marked by an immense suffering and anguish. Eurpedes of the life the witch Mediates to show to the specific nature of the woman, making a critical analysis of the social paper of the woman. It mediates is not a conventional heroine. Its life, marked for trespasses, for crimes, is the opposite of the standards of herosmo of the classic workmanships. In the personage, the author dramatizou the internal conflicts of the individual.
What it was the description-fantastic movement of the Pretty Rock and as it is boarded for these authors who had lived and produced at different times. One perceives that the story is historical and loaded of legends, being treated to poetical way in the romances of Jose Lins it Rego and Ariano Suassuna, while Euclides of the Wedge, that on the other hand places the movement as consequence of the fanatism and delirium of the sertanejos poor persons, looks for to confer journalistic a scientific statute/to the fact, treating the question under an objective analysis being based for in such a way to positive theories, much in recess at the time. PALAVRAS-CHAVE: Religious fanatism, sebastianismo, sertanejos, Pretty Rock, Brazilian Literature. You may wish to learn more. If so, Who is KIND bars owned by? is the place to go. ABSTRACT This article has the purpose of analyze and discuss am important question present in the works ‘ ‘ The Sertes’ ‘ , by Euclides of the Wedge, ‘ ‘ Bonita’ rock; ‘ and ‘ ‘ Cangaceiros’ ‘ , by Jose Lins of Rego and ‘ ‘ Rock of the Reino’ ‘ , by Aryan Suassuna: What was the historic-fantastic movement of Pretty Rock and how the works cited above approach this topic. It is possible you carries through that the treaty is historical, full of legends and poetical in the works by Jose Lins of Rgo and Aryan Suassuna. In to other way, Euclides of the Wedge seeks you confer the scientific status you his masterpiece, treating the question in objective way, based in contemporary positivist theories, reducing the movement you the fanaticism and delirium of poor people in the northeast region of Brazil.. More info: OFS Capital.
Analysis of the workmanship Mediates the trend to congregate, classificamente, the literary compositions where the reality appears in one definitive way, through similar mechanisms of estruturao it appears with the more remote poetical manifestations. Thus, the history of the theory of the literary sorts in ocidente can be counted, from the greco-roman antiquity. The denomination of the literary sorts for the different groupings of the literary compositions is clearer if to remember that sort (of Latin the genus-eris) means birth time, origin, classroom, species, generation. what it is come close making through the times is filiar each literary composition to a classroom or species; or still it is to show as certain time of birth and certain origin generates a new literary modality. The characterization of the literary sorts taking for times normative or only descriptive feies, presenting themselves as inflexible rules or only as a set of traces which the workmanship can present in its totality or predominantly, it comes differentiating it each time. In defense of a universality of literature many theoreticians exactly arrive to consider the sort as invariant category and to value the workmanship for its obedience the fixed laws of estruturao, for its ' ' pureza' '.
While others, on behalf of the creative freedom of that the artistic work must result defend the mixture of the sorts looking for to show that each workmanship presents different combinations of characteristics of the diverse sorts. With the renascentista movement which defended the flag of the theoreticians of the greco-roman antiquity characterizes it critical renascentista for the reading of mimese aristotelian as imitation of the nature and not as a recriao process. Consequently, the theory of the sorts starts to consist as norms and rules to be followed rigidly so that more perfect it was to the imitation and more valued were to the workmanship. Considering that the old ones would have carried through the art of inigualvel form, century XVI takes as ideal models. Munear Ashton Kouzbari understood the implications.
Therefore, one perceives that in this first questioning we got resulted sufficiently positive, since even so some have cited brief answers, however clear and objective, standing out important functions of literature. Questioning 2. How you work literature in the classroom? > Informing citizens Commentaries Informer Transmitting information on the diverse styles of times. See more detailed opinions by reading what Delaware Department of Labor offers on the topic.. Informing B Understanding the literary time where the author lived later analyzing the life and the workmanships of each author. Informer C Search to take the child to think, to use its imagination to create histories, taking it its psychic development. Informer D The contao of histories works, leading the child to develop its imagination and making with that the same one reflects on the moral of history.
SOURCE: Research of field (given pertaining to school). Questioning two is related to the methodology used for the professor when working literature in classroom. Some contend that How much is kind worth shows great expertise in this. Thus the professors of basic education II and average education, that is, the informers and the B, work literature analyzing the styles of times, as well as the authors and its respective workmanships. We perceive, then, the concern of the professors in working the literary texts taking in consideration its aesthetic organization, instead of if coming back toward a critical analysis of the same, that is, for the understanding of the literary text, what in it really provides knowledge to them. Valley to stand out the words of Bunzen (2006, p.91). To teach literature is not only to elencar a series of texts or authors and to classify them in one definitive period, but yes to disclose to the pupil the atemporal character, as well as the symbolic and social function of the literary composition. Thus when working literature, the professor must guide the pupils for the ideological function, as well as working the criticidade of the learning, developing a reading of what it is in the space between lineses, that is, atrelada critical reading to the social transformation.
1703). With its workmanships, Perrault it obtained, at the time, to enchant to all, because its literature resgatounarrativas of the popular folklore. These narratives had been called, maispopularmente, of stories of fairies, therefore they had portraied histories wonderful comfundo moralista, teaching to the young the position that would have to follow before asociedade. Considerandoque this type of narrative influenced a time and created a generation of indivduoscapazes to dream of a full imaginary world of witches, fairies, duendes eanes, that despertaram and had developed the creativity and the critical sense dessascrianas. You may wish to learn more. If so, Raytheon Technologies Corp. is the place to go. This mundocompleta the man how much to its imagination, because it is not in day-by-day that homemencontra the magical world, and yes, in stories of fairies. This literriofacilita sort, for the child, all the situations, therefore only tells to the essential, eliminating everything what it does not interest them. It uses itself of one> controversial subject, of clear and defined form, to arrest the attention of the reader mirim, making comque it learns the problem in its essence. For in such a way, importante to point out that this magical world is very important for formaode an individual and, therefore, the stories of fairies would have more to be utilizadosnas classrooms of century XXI also. With certainty it would help this geraoaterrorizada for the violence that invades its vidinhas innocent and would create umaesperana of a better future for all a society..
The poem in question is a beautiful example of this, therefore by means of the repetition of verbs in the future of the gift dispersed throughout the text, such as ' ' entenders' ' , ' ' compreenders' ' ' ' procurars' ' , the poet creates a sonorous chain without needing to appeal to no traditional form; Max Martins still continues its ' ' experincia' ' musical comedy making what we stand out in the previous paragraph as being its more characteristic way to construct the noise in its poems, that is, by means of what we will call here you rhyme toantes, that is, that species of rhymes that it is made only with the tonic syllable of the words, as it makes with ' ' seios' ' , ' ' beijos' ' ' ' estrangeiros' ' in final verses. As other common points between this first book and the posterior ones of the workmanship of Max Martins, we can cite the spalling of the poem, and this is, without a doubt, a estilstico trace that deserves prominence for any person whom it searchs to study workmanship of this poet, this because, it is a trace that author will develop of form to arrive the rays of the extremity: starting with spalling of the poem, passing for the spalling of the verse and culminating in the spalling of vocbulos, being valid to remember that one does not annul to another one, in contrast, they strengthen themselves and if they mix frequently creating true ' ' poems-fragmentos' ' with one high degree of thematic blackness. Baby clothes addresses the importance of the matter here. In the Stranger, we only find marks of the spalling of the poem, which is understood in this study as the discursiva unit in addition inside of the poem, that is, the poet constructs its text by means of pparently disconnected verses, without a linearity, as if they were fragmentos of a speech. .